Artiste Botanique
Hello, As we are approaching the end of April, the garden is moving from its crops of daffodils, bluebells and tulips to the lilies and irises. All these plants have something in common: their leaves are long and thick, with parallel veining. Parallel veining means that all veins run from base to tip, with no… Continue reading Drawing Long Leaves with Parallel Veining
Hello everyone, A couple of weeks ago, botanical artist Julia Trickey kindly invited me to do an online talk as part of her series called "Botanical Talks". Of course, my first one had to be about colour and pigments. We ran out of time for me to answer all the questions at the end of… Continue reading Paints & Pigments 01 – Your questions answered
I was getting ready to start the sketches for this week’s post on Patreon when I decided to stretch my paper, because I am going to use so much water and really drench my paper. Then I thought it would be useful to do a quick video tutorial, showing you a very easy way to… Continue reading Quick easiest way to stretch paper
Hello, I am still testing the Daniel Smith gouache paints I reviewed last month.The pigments and their characteristics are the same as they are in watercolours, but I am not a gouache painter, so I am exploring techniques that are unfamiliar to me, which I find very interesting and also a lot of fun. One… Continue reading Full tutorial – Seascape with Daniel Smith paints
Hello, It is the start of Camellia season here in the UK, so I thought it would be a good time to post a tutorial of these slightly tricky glossy leaves.I always paint my leaves wet-on-wet but it is even more important for the shiny ones. Painting wet-on-wet avoids all hard lines within the shape… Continue reading Glossy leaf with wet-on-wet watercolour – Painting a Camellia leaf
Sandrine Maugy 