Artiste Botanique
The first question that popped into my mind when I first saw Quinacridone Lilac was "Do we really need another Quinacridone sitting between the Quinacridone pinks and magentas?" The only way to find out was to try it, test it, mix it and compare it. I already have quite a few Quinacridones in my palette:… Continue reading Pigment spotlight: testing Daniel Smith Quinacridone Lilac
Hello everyone, I already wrote about the difference between transparent and opaque colours in a blog post here. This time I am taking it one step further: why do transparent pigments sometimes make opaque paints? 1- Transparent/opaque To recap the previous post, transparent pigments let the light through their layer to hit the paper and… Continue reading Transparent vs. opaque and why transparent pigments can turn into opaque paints
Good stormy, rainy morning! I made a new video about the 'Neptune'. It shows the road test in different conditions. As well as seeing the brush performance it gives you a chance to see me demonstrate wet-in-wet and pretty extreme dry brush techniques, while painting a quince and some blackbirds. I really put that brush… Continue reading New video: testing the synthetic squirrel brush ‘Neptune’
Hello everyone! On the 31st of August, I will run a Botanical fruit painting watercolour masterclass at the Mall Galleries in London, from 11am to 4pm. I am very excited about this, I hope you will be too... I will post a link as soon as the tickets are for sale. Come and join me...Only… Continue reading Exciting masterclass at the Mall Galleries in London
As I have almost literally received a ton of paintbrushes to review (I am almost not exaggerating), I thought I would first write a post about the anatomy of a paintbrush. What the different bits are and what they do. That way, when I write about the brushes and their performances, we'll all be clear… Continue reading Anatomy of a paintbrush
Sandrine Maugy 